Enter Art Fair: Copenhagen
- Claire Witteveen, Big Sky Country
- Claire Witteveen, Compos Mentis, 2026
- Claire Witteveen, Desire, 2026
- Claire Witteveen, Painting for my Namesake, 2026
- Claire Witteveen, Terra Firma, 2026
- Claire Witteveen, This much I know is true, 2026
- Suus Kooijman, Brown Stripe , 2026
- Suus Kooijman, Box no1, 2026
- Suus Kooijman, Street, 2025
- Suus Kooijman, Terra Spot, 2026
- Floor Merjenburgh, FORM, deliberate tactility - Burgundy No.1, 2026
- Floor Merjenburgh, FORM, deliberate tactility - Leather No.15, 2025
- Floor Merjenburgh, FORM, deliberate tactility - Springgreen No. 2 (sold), 2026
- Floor Merjenburgh, FORM, deliberate tactility, Midnight No.01, 2026
- Mickey Philips, Happy Stool, 2025
- Mickey Philips, Happy Frame Black, 2025
- Mickey Philips, Happy Chair - Black
- Mickey Philips, Japanese Beetle, 2023
- Santiago Pani, Gardens of the Mind 30, 2026
- Santiago Pani, Gardens of the Mind 31, 2026
- Santiago Pani, Gardens of the Mind 27, 2026
In a culture shaped by interfaces and constant movement, Going Analogue invites a moment of stillness.
This presentation brings together artists whose practices are grounded in touch, material and attention. Through ceramics and painting, they work with their own systems and quiet gestures that unfold over time. Games, structures and surfaces are approached not as metaphors, but as everyday acts. A house of cards might as well be simply a house of cards. A surface carries its own history. A form holds space.
Rather than opposing the digital, Going Analog turns toward the simplicity of making and being. The works reflect cycles of appearance and disappearance, of memory and impermanence. In Suus Kooijman’s layered surfaces, time settles slowly. Santiago Pani’s imagery moves through inner landscapes shaped by dream and perception. Claire Wittenveen’s paintings create quiet spaces where colour, form and surface are allowed to breathe. Mickey Philips’ game pieces invite play, balance and collapse, while Floor Merjenburgh’s ceramic forms gently negotiate gravity and structure.
Together, the works return to simplicity. To being present, to looking, to making. Meaning emerges through small gestures and physical actions.
NewHouse presents Going Analogue as an invitation to slow down and reconnect with the fundamental gestures of everyday life.
